In Mundele, the identity interrogations of the author of Gabonese and French origins that stages herself, a reflection of the perception of those around her, are a metaphor of the structural situation of Central Africa, embodied by the representation of her perception of herself through the urban landscape. From the hairdressing salon where her hair become the vector of questioning to her stroll in Pointe Noire from historic to iconic places, Mundele offers a vision of France-Afrique past, present, and future like a meditation, an intriguing dream.
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